Poems:Kelly-DeWitt
From Content
(Difference between revisions)
Revision as of 17:50, 8 April 2006 Andrey (Talk | contribs) Chagall's Bride and Groom ← Previous diff |
Current revision Andrey (Talk | contribs) |
||
Line 81: | Line 81: | ||
<nowiki>*</nowiki> - from ''Iris'' | <nowiki>*</nowiki> - from ''Iris'' | ||
- | ===== Susan Kelly-DeWitt ===== | + | |
- | + | '' '''Susan Kelly-DeWitt''' is poet and painter who holds a B.A. and M.A. from CSU Sacramento. She has exhibited her art at Excentrique Gallery, SMUD Gallery, Matrix Gallery, Phoenix Gallery, Blooming Art, Original Works, Peach Pit/Barton Gallery, State Capitol Cafeteria Gallery, Archival Framing, Accurate Art Gallery, Sutter Creek, Winkler Gallery and Davis Art Center. She is a past recipient of a Wallace Stegner Fellowship for Poetry from Stanford University. She has published four collections of poetry; her work also appears in many national anthologies and journals.'' | |
- | ::Susan Kelly-DeWitt is poet and painter who holds a B.A. and M.A. from CSU Sacramento. She has exhibited her art at Excentrique Gallery, SMUD Gallery, Matrix Gallery, Phoenix Gallery, Blooming Art, Original Works, Peach Pit/Barton Gallery, State Capitol Cafeteria Gallery, Archival Framing, Accurate Art Gallery, Sutter Creek, Winkler Gallery and Davis Art Center. She is a past recipient of a Wallace Stegner Fellowship for Poetry from Stanford University. She has published four collections of poetry; her work also appears in many national anthologies and journals. | + |
Current revision
[edit]
Van Gogh, Landscape At Twilight*
A feverflower and toadflax shine laid on in strokes like agitated flocks of birds fanning out behind the layer of visible twilight. Wheat and marigold colors. An ochre road bisects the fields and ends where sight does in two pinched-off nubs, like short dark strings Atropos will soon cut off. (The same road painted by another could brighten again at sunrise, might continue on through the tangled fig-violet thicket he has wedged at the horizon beyond the iris roof of the chateau between pear trees.) Someone leans through a window gone long ago to ruin, in the musk of evening's damp grain and floral scents. A single quick stroke of ivory black conceals her figure in a sunless brick of shadow. We see - or imagine we do - how one bare arm stretches deliciously into the oncoming night, into the racket of blue flies, while the sun turns everything to fire again, then dies. (That blue roof still holds steady against the torrent of sky.)
* - forthcoming in The Book of Insects (Spruce Street Press)
[edit]
Chagall's Bride and Groom*
Her gown is hooped like a Conestoga; she wishes he had traded it for a sensible parachute. The wind from an orange star drags her wedding veil. The groom's head pivots, nearly tugged off. His hair is the shiny color of tuxedoes. But she is tired of his face like a chalk boutonniere, how he stares backward like her mother at the earth below, vaguely dotted with primroses - she wishes he would let go the white stem of her wrist!
* - from Iris
Susan Kelly-DeWitt is poet and painter who holds a B.A. and M.A. from CSU Sacramento. She has exhibited her art at Excentrique Gallery, SMUD Gallery, Matrix Gallery, Phoenix Gallery, Blooming Art, Original Works, Peach Pit/Barton Gallery, State Capitol Cafeteria Gallery, Archival Framing, Accurate Art Gallery, Sutter Creek, Winkler Gallery and Davis Art Center. She is a past recipient of a Wallace Stegner Fellowship for Poetry from Stanford University. She has published four collections of poetry; her work also appears in many national anthologies and journals.